Summary

Portrait of Emma Orczy Emma Orczy "The Murder of Miss Pebmarsh" (1904)

In a flat it is easy enough to overhear conversations that take place in the next room—he was in the house at the time, remember, for Lady de Chavasse said herself that he went out afterwards. No doubt he overheard everything—the compromising letters, and Pamela's attempt at levying blackmail. What the effect of such a discovery must have been upon the proud man I leave you to imagine—his wife's social position ruined, a stain upon his ancient name, his relations pointing the finger of scorn at his folly.
Source: Wikisource

Portrait of Emma Orczy Emma Orczy "The Murder of Miss Pebmarsh" (1904)

My murderess is my niece, Pam———'
"'That is all, gentlemen,' added the coroner, as he folded up the note. 'Death overtook the unfortunate woman in the very act of writing down the name of her murderess.'
"Then there was a wild, an agonised shriek of horror. Pamela Pebmarsh, with hair dishevelled and eyes in which the light of madness had begun to gleam, threw up her hands, and without a word, and without a groan fell down senseless upon the floor."
Source: Wikisource

Portrait of Emma Orczy Emma Orczy "The Murder of Miss Pebmarsh" (1904)

I ejaculated in surprise. "Surely you are not going to pretend that that elegant lady went down to Boreham Wood in the middle of the night in order to murder Miss Pebmarsh, and then to lay the crime at another woman's door?"
"I only pretend what's logic," replied the man in the corner with inimitable conceit; "and in Pamela Pebmarsh's own statement, she was with Lady de Chavasse at 51, Marsden Mansions, until eleven o'clock, and there is no train from St. Pancras to Boreham Wood between eleven and twenty-five minutes past midnight.
Source: Wikisource

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