Erckmann-Chatrian

Summary

Erckmann-Chatrian The Mysterious Sketch

I will not tell you what my emotions were during that night in the Raspelhaus when, sitting on my bale of straw, with a skylight facing me and a gallows to look at, I heard the nightwatchman dissipate the silence with cries of: "Sleep, good people of Nuremberg, the Lord is watching over you! One o'clock!...Two o'clock!...Three o'clock and all's well!"
Everyone must have some idea of what such a night is like.
Daylight came - pale and hesitant at first, it lit the bull's-eye window with its glimmers and the criss-crossed bars,...then it burst out upon the far wall. Outside the street grew busy.
Source: Gutenberg

Erckmann-Chatrian The Mysterious Sketch

But the memory of the nocturnal sketch has always stayed in my mind. Sometimes, in the middle of working on something, my thoughts return to it. When that happens I put down my palette and dream for hours on end!
How was it possible for a crime carried out by a man I did not know in a place I had never seen before.... to reproduce itself under my charcoal and chalk so accurately, right down to the finest detail?
Source: Gutenberg

Erckmann-Chatrian The Mysterious Sketch

Imagine my sense of dread when, at the end of this passage, I saw the courtyard I had drawn the night before with its walls furnished with hooks, its heaps of scrap metal, its hencoop and its rabbit hutch.... Not one skylight big or small, high or low, not one cracked pane of glass, not a single detail in my drawing had been left out!
I was transfixed by this bizarre turn of events.
Near the well were the two judges, Van Spreckdal and Richter. At their feet lay the old woman, supine...her long grey hair dishevelled...
Source: Gutenberg

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