E. Nesbit,
Daphne in Fitzroy Street — X : INTRUDER
(1909)
“ Undressing in the bigness that almost seemed publicity, she asked herself whether any of her sketches—the pictures of saints that girls had begged for their paroissiens, the satirical sketches that had convulsed submissive classes—might, after all, be marketable. One could—insisted a swift-motioned Daphne divesting herself of petticoats—one could but try. Anyhow, the child was the centre of her universe, the one thing that must not be neglected or set aside. If she could not sit for the sketch club without neglecting the child—well sitting for sketch clubs was not her vocation. ”
