Summary

Portrait of E. Nesbit E. Nesbit Daphne in Fitzroy Street — IX … (1909)

One may as well have tea, even if one’s little sister does want the cook. Then she sat down to face the first situation that had ever baffled her. It seemed to her that Doris would always want the cook. And—would that charwoman be a sufficient substitute? And who was Daphne Carmichael that she should have taken into her hands the sole care of a little child who wanted cooks, and who would want other things, many other things—fresh air, exercise, space to play in, other children, education, training?
Doris’s laugh rang out up the uncarpeted stairs, through the still open trap.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Daphne in Fitzroy Street — IX … (1909)

This – the quiet, spacious room with the scattered, insufficient furniture, the ceaseless moan of London underlying its silences – this was the fabric of life to which events, of any kind, would be only decorative embroideries. Daphne perceived that it might be a beautiful fabric—but she wanted to set bright stitches in it. And materials were lacking. There is no loneliness like the loneliness of a great town. This has been said before, but it is true for all that. She had heard no more of Claud Winston than his boots on the stairs below.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Daphne in Fitzroy Street — IX … (1909)

There is an artist, a sort of cousin of mine, who lives in this house. Perhaps I shall try to be an artist. And I sometimes think I shall become an author. Doris is having tea with the cousin, and I am alone in the big room. There is a tall ash-tree outside the window that bows and waves wanly in the breeze. The solitude and space are beautiful. Life will probably be very difficult for a while, but you know I am not afraid of life. I mean to conquer the world. I know now why people always look back to their school days as the happiest time.
Source: Wikisource

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