Summary

Portrait of E. Nesbit E. Nesbit Daphne in Fitzroy Street — XV: KISSED (1909)

Her opinions seemed to count, her little speeches were answered, her little jokes laughed at. Daphne seemed to have thrown an arm about her—against the world. And the child loved her. Little unimportant things treasured from her long ago childhood—the things memory holds to the last—these were important now. When Doris in the sudden bursts of affection that come when a child is tired of play, hugged her and said: “Now Sister Jenny, you tell me all about when you was a little girl,” there was incredibly much to tell.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Daphne in Fitzroy Street — XV: KISSED (1909)

I couldn’t go to sleep unless I had it in my arms.”
“I wish I had a rabbit,” said Doris. “I’m sure I’ll never sleep again unless I’ve got a rabbit to be in my arms.”
“I’ll buy you one,” said Cousin Jane.
“Ah, but that wouldn’t be a tame rabbit,” said Doris, rubbing her face coaxingly against the other face. “I’d like this one, Sister Jenny—cause it’s tame and used to going to sleep in people’s armses. Do let me have this rabbit, Sister Jenny.”
Cousin Jane let her have that rabbit—and within the day Doris had dropped it on the hearth and broken it into three pieces.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Daphne in Fitzroy Street — XV: KISSED (1909)

But the change in the outdoor world was a mere ripple compared to the great change in the inner life. For her to be welcomed and petted, who had so long been snubbed or ignored, to find herself listened to when she spoke—spoken to when she was silent, to find herself treated as though she mattered, as though, so she put it to herself, as though she were anyone else.
Source: Wikisource

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