Ernest Bramah

Ernest Bramah

Summary

Portrait of Ernest Bramah Ernest Bramah From a London Balcony (1895)

My balcony enjoys a happy mean. There are no flowers, nothing fancy about it, but it is painted, like the rest of the house, once every three years. The house on the left is dingy and jealous. The balcony there is latticed all round, and on the roof, high above, two jagged chevaux-de-frise mark the boundaries. The home on the right seems ordinary and common-place. At certain and regular hours the door opens, and a white-haired lady, leaning heavily on a gold-headed stick, walks out and across the road into the garden beyond. She has a kind, benevolent face
Source: Wikisource

Portrait of Ernest Bramah Ernest Bramah From a London Balcony (1895)

The balcony runs the whole length of the terrace, and by its several stages of decrepitude serviceable indicates the prosperity of the occupants. In some places it is gay with hanging plants and festoons of creepers; in others neglected, unpainted, and falling to pieces. Years ago fair ladies and brave men found it a charming vantage point to sit and gossip and flirt, or watch their neighbours while "taking the air."
Source: Wikisource

Portrait of Ernest Bramah Ernest Bramah From a London Balcony (1895)

To the friendless, aimless man there is a humanising fascination in idly watching the meaningless trivialities of the little world around him. In piecing together the casual incidents, and building upon the passing commonplaces he loses his oppressing sense of utter loneliness, and invests his neighbour with an interest of comedy or tragedy, as may seem most appropriate.
Source: Wikisource

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