Summary

Portrait of Ernest Hemingway Ernest Hemingway Men Without Women — A Canary for One (1955)

We were passing three cars that had been in a wreck. They were splintered open and the roofs sagged in.
“Look,” I said. “There’s been a wreck.”
The American lady looked and saw the last car. “I was afraid of just that all night,” she said. “I have terrific presentiments about things sometimes. I’ll never travel on a rapide again at night. There must be other comfortable trains that don’t go so fast.”
Then the train was in the dark of the Gare de Lyons, and then stopped and porters came up to the windows.
Source: Wikisource

Portrait of Ernest Hemingway Ernest Hemingway Men Without Women — A Canary for One (1955)

There were many cars standing on tracks—brown wooden restaurant-cars and brown wooden sleeping-cars that would go to Italy at five o’clock that night, if that train still left at five; the cars were marked Paris-Rome, and cars, with seats on the roofs, that went back and forth to the suburbs with, at certain hours, people in all the seats and on the roofs, if that were the way it were still done, and passing were the white walls and many windows of houses. Nothing had eaten any breakfast.
“Americans make the best husbands,” the American lady said to my wife.
Source: Wikisource

Portrait of Ernest Hemingway Ernest Hemingway Men Without Women — A Canary for One (1955)

Motor-cars were stopped along the road and bedding and things from inside the farmhouse were spread in the field. Many people were watching the house burn. After it was dark the train was in Avignon. People got on and off. At the news-stand Frenchmen, returning to Paris, bought that day’s French papers. On the station platform were negro soldiers. They wore brown uniforms and were tall and their faces shone, close under the electric light. Their faces were very black and they were too tall to stare. The train left Avignon station with the negroes standing there.
Source: Wikisource

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