Ernest Hemingway

Ernest Hemingway

Summary

Portrait of Ernest Hemingway Ernest Hemingway Men Without Women — The Undefeated (1955)

Zurito watched. The monos, in their red shirts, running out to drag the picador clear. The picador, now on his feet, swearing and flopping his arms. Manuel and Hernandez standing ready with their capes. And the bull, the great, black bull, with a horse on his back, hooves dangling, the bridle caught in the horns. Black bull with a horse on his back, staggering short-legged, then arching his neck and lifting, thrusting, charging to slide the horse off, horse sliding down. Then the bull into a lunging charge at the cape Manuel spread for him.
Source: Wikisource

Portrait of Ernest Hemingway Ernest Hemingway Men Without Women — The Undefeated (1955)

Manuel said.
“I’ll lean on him,” Zurito said. “What’s holding it up?”
“He’s coming now,” Manuel said.
Zurito sat there, his feet in the box-stirrups, his great legs in the buckskin-covered armor gripping the horse, the reins in his left hand, the long pic held in his right hand, his broad hat well down over his eyes to shade them from the lights, watching the distant door of the toril. His horse’s ears quivered. Zurito patted him with his left hand.
The red door of the toril swung back and for a moment Zurito looked into the empty passageway far across the arena.
Source: Wikisource

Portrait of Ernest Hemingway Ernest Hemingway Men Without Women — The Undefeated (1955)

Manuel, leaning against the barrera, watching the bull, waved his hand and the gypsy ran out, trailing his cape. The bull, in full gallop, pivoted and charged the cape, his head down, his tail rising. The gypsy moved in a zigzag, and as he passed, the bull caught sight of him and abandoned the cape to charge the man. The gyp sprinted and vaulted the red fence of the barrera as the bull struck it with his horns.
Source: Wikisource

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