Ernest Hemingway

Ernest Hemingway

Summary

Portrait of Ernest Hemingway Ernest Hemingway,  Men without women (1926)

“ Manuel shouted to the gypsy. The bull had smelled the blood of the dead horse and ripped into the canvas-cover with his horns. He charged Fuentes’s cape, with the canvas hanging from his splintered horn, and the crowd laughed. Out in the ring, he tossed his head to rid himself of the canvas. Hernandez, running up from behind him, grabbed the end of the canvas and neatly lifted it off the horn.
The bull followed it in a half-charge and stopped still. He was on the defensive again. Manuel was walking toward him with the sword and muleta. Manuel swung the muleta before him.
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Source: Gutenberg

Portrait of Ernest Hemingway Ernest Hemingway,  Men without women (1926)

“ The red door of the toril swung back and for a moment Zurito looked into the empty passageway far across the arena. Then the bull came out in a rush, skidding on his four legs as he came out under the lights, then charging in a gallop, moving softly in a fast gallop, silent except as he woofed through wide nostrils as he charged, glad to be free after the dark pen. ”
Source: Gutenberg

Portrait of Ernest Hemingway Ernest Hemingway,  Men without women (1926)

“ Manuel, leaning against the barrera, watching the bull, waved his hand and the gypsy ran out, trailing his cape. The bull, in full gallop, pivoted and charged the cape, his head down, his tail rising. The gypsy moved in a zigzag, and as he passed, the bull caught sight of him and abandoned the cape to charge the man. The gyp sprinted and vaulted the red fence of the barrera as the bull struck it with his horns. ”
Source: Gutenberg

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