“ Jake! Most worthy—and most obtrusive! What shall we do with him, lady mine? Slay him—or give him a feed and send him home?"She stared at him, aghast. "You—you—you are joking!" she stammered."I always joke when I am most serious," Saltash assured her."Oh, don't!" She clung closer to his arm. "What shall we do? He—he can't do anything, can he? We—we—we really are married, aren't we?"Saltash's most appalling grimace fled like a hunted goblin across his face. "Married? Heavens, child! What more do you want? ”
Ethel M. Dell
Summary
"Charles Rex" by Ethel M. Dell is a novel centered on the complex dynamics between its titular character, Saltash, and his circle, including Toby, Bunny, Jake, and Maud. Set against a backdrop of social intrigue and emotional strain, the narrative explores themes of love, identity, and moral uncertainty through vivid dialogue and symbolic motifs such as gestures, glances, and brief moments of vulnerability.
The story delves into Saltash’s conflicted relationships, particularly his tense connection with Toby, while weaving in elements of romantic competition and philosophical contemplation. The novel’s structure, marked by sharp exchanges and reflective monologues, underscores Dell’s focus on the interplay between personal longing and societal norms.
Quotes from Charles Rex (Ethel M. Dell)
“ What on earth has Maud been doing to you? Do you know when you first came into the drawing-room tonight I hardly knew you?"Toby's light laugh came back to him. She was like a white butterfly flitting before him in the twilight. "I wondered what you'd say. I've given up jumping rosebushes, and I'm learning to be respectable. It's rather fun sometimes. Maud is very good to me—and I love Jake, don't you?""Yes, he's a brick; always was," said Bunny enthusiastically. "I'd back him every time. But, I say. Don't get too respectable, will you? Somehow it doesn't suit you." ”
“ Bunny spoke with difficulty, but his look never wavered, "tell me—as before God—tell me what you believe her to be!""What I know her to be," corrected Saltash, "I will tell you—certainly. She is a child who has looked into hell, but she is still—a child.""What do you mean?" questioned Bunny.Saltash's eyes, one black, one grey, suddenly flashed a direct challenge into his own. "I mean," he said, "that the flame has scorched her, but it has never actually touched her.""You know that?" Bunny's voice was hoarse. There was torture in his eyes. "Man—for God's sake—the truth!" ”
