Ethel Turner

Ethel Turner

Summary

Portrait of Ethel Turner Ethel Turner A Champion in Ankle-Straps (1896)

But Dolly was quite alone and there was no sign of her bodyguard.
"What-tever rare you after, Miss Dolly?" he said in amazement. "Where's Bridget?"
An eye more trained than that of an amorous postman might have noticed the whiteness of the child's face and the heroic steadfastness of her lips. But Peterson's nature was a slow one; he merely stared at her as if he expected she had Bridget hidden away under the folds of her little red cloak.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner A Champion in Ankle-Straps (1896)

Then the sun went out of Dolly's world, and till Peterson had left his budget and she had crept away and searched the red paper to see if "farvie's" beautiful face was depicted with horrible additions, she crept about the nursery silent and almost smileless.
But if Bridget said "Monday, for shure; an' what else should it be?" or Tuesday, or anything but dread Thursday, then her dimples had full play and her face was cloudless. Reading was an art that had not yet made havoc or pleasure of her days.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner A Champion in Ankle-Straps (1896)

Dolly's face seemed to express the fact that she found it a very poor one.
"He only pretends not to care," she said; "he does not like people to know he minds. But sometimes"—her voice dropped to a half-shamed whisper—"sometimes it makes him so misrubble he has to cry."
Source: Wikisource

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