Summary

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — Ernest Henry (1915)

Great and mighty is Ernest Henry Wilberforce, dazzling and again dazzling the lighted avenues opening now before him; there is nothing, nothing, from the rendings of the toys to the deliberate defiance of his nurse and all those in authority over him, that he shall not now perform.... With a cry, with a wild wave of the arms, with a sickening foretaste of the bump with which the gay brown carpet would mark him, he was down, the Fates were upon him—the disturbance, the disrobing, the darkness.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — Ernest Henry (1915)

It was a fine, spacious room that he inhabited. The ceiling—very, very far away—was white and glimmering with shadowy spaces of gold flung by the sun across the breast of it. The wallpaper was dark-red, and there were many coloured pictures of ships and dogs and snowy Christmases, and swans eating from the hands of beautiful little girls, and one garden with roses and peacocks and a tumbling fountain. To Ernest Henry these were simply splashes of colour, and colour, moreover, scarcely so convincing as the bright blue screen by the fire, or the golden brown rug by the door
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — Ernest Henry (1915)

He sucked his thumb now, and felt his bump, and stared at the ceiling and knew that he would come. During the first months after Ernest Henry's arrival on this planet his friend was never absent from him at all, was always there, drawing through his fingers the threads of the old happy life and the new alarming one, mingling them so that the transition from the one to the other might not be too sharp—reassuring, comforting, consoling.
Source: Wikisource

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