Summary

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XVII … (1912)

The object was to get a hundred or two of the cattle into the forcing-yard adjoining, the gate to which was wide open. Pip marvelled at the courage of the men; for a moment his heart had leaped to his mouth as bullock after bullock essayed to charge them, but the air resounded with cracks from the mighty stock whips and drafting-sticks, and beast after beast retreated towards the centre with its face dripping with blood.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XVII … (1912)

Like lightning, the men made a line behind, shouting, yelling, cracking their whips to drive them onward. Pip stood up and halloed, absolutely beside himself with excitement. Then he held his breath again.
Mr. Hassal and one of the black boys were creeping cautiously up near the gateway through which the tumultuous stream of horns and backs was pouring. Half a dozen mighty blows from the men, and the last leader fell back for an instant, driving the multitude back behind him.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XVII … (1912)

Two lines of stockmen again, whip-crackings, bellows, blood, horns, hide and heels in the air, and some forty or fifty were secure in a third yard, a long narrow place with a gate at the end leading into the final division.
Pip learnt from Mr. Gillet the object of these divisions: some of the beasts were almost worthless things, and had been assigned to a buyer for a couple of pounds a-head, just for the horns, hides, and what might be got for the flesh. Others were prime, fat creatures, ready for the butcher and Sydney market.
Source: Wikisource

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