Summary

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XVI … (1912)

Hassal had laid aside her girlish accomplishments, her fancy work, her guitar, her water-colours, and had scrubbed and cooked and washed as many a settler's wife has done before, until the anxiously watched wool market had brought them better days.
Then a big stone cottage reared itself slowly right in front of the little old place with its bottle-bordered garden plot, where nothing more aristocratic than pig's face and scarlet geranium had ever grown. A beautiful cottage it was, with its plenitude of lofty rooms, its many windows, and its deep veranda.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XVI … (1912)

Hassal, whom they all called "little grandma," much to her pleasure, and Esther with the boy.
"You must go and ask Mr. Gillet," the old lady said; "he keeps the keys of the stores. See, over in that cottage near the tank, and speak nicely, children, please."
"Such a gentleman," she said in a low tone to Esther, "so clever, so polished, if only he did not drink so."
Meg and Judy went, with Baby hurrying after them as fast as her short legs would allow.
"Come in," a voice said when they knocked. Meg hesitated nervously, and a man opened the door.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — XVI … (1912)

Meg said, wondering what oven could be found large enough.
"Dear, no!" the old lady answered. "Dear, dear, no; each man does everything for himself in his own hut; they don't even get bread, only rations of flour to make damper for themselves. Then we give them a fixed, quantity of meat, tea, sugar, tobacco, candles, soap, and one or two other things."
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature