Summary

Portrait of Ethel Turner Ethel Turner The Family at Misrule — XVIII. "HOW GOOD YOU OUGHT TO BE!" (1895)

She kissed the face, wet with rain and tears.
"Come and get your wet things off, dear," she said; "you should have driven up to the door, the drive's so long." "I was afraid it would wake every one," was Nellie's answer, broken in three places.
Even when Meg had taken off, with her own hands, the poor spoiled white dress, and wet white gloves, and little muddy shoes; when she had made up a crackling fire of wood in the bedroom open fireplace, and brought her own cosy red dressing-gown and a white shawl for array, Nellie still wept heartbrokenly.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner The Family at Misrule — XVIII. "HOW GOOD YOU OUGHT TO BE!" (1895)

Meg toasted the bread on the end of her knife and spread a piece thickly with the toothsome jam. She proffered it to Nell with burnt cheeks and a gay little laugh.
"Oh, Meg, you are the best girl on earth!" the girl said, flinging her arms impetuously around her sister's neck. "I'm not fit to black your boots! there's nobody just like you, Meg, in all the world. Oh, Meg darling, why can't you make me more like you?"
[Illustration: " 'LOOK!' SAID MEG."]
Meg only kissed her for answer, kissed her with a sweet, moved look on her face.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner The Family at Misrule — XVIII. "HOW GOOD YOU OUGHT TO BE!" (1895)

Is love, and subdueth."
THE silence of midnight hung over all the house—there was darkness in all the rooms save one. Outside, the rain was falling, but without noise; sometimes the wind blew it against the window-panes in little gusts like the light spray of waves, but for the most part it fell in straight, silent sheets upon the soaking garden and paddocks. Now and again the same fitful wind stirred a Japanese sun-blind at the end of the side verandah.
Source: Wikisource

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