Ethel Watts Mumford

Ethel Watts Mumford

Summary

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Will and the Deed (1915)

Chyne thought with fury of his own unwavering loyalty, and cursed aloud as he remembered the cold reception he had given that story about McCollum at the club.
Topping the cliff, they plunged at once into the hot and breathless jungle. High overhead the trade winds still rocked the fronds of monkey-pod and palm, but the thicket held only silence, heat, and the smells of rank vegetation. Here and there in the green twilight a white veil of steam hissed upward from some open crevasse that proved the nearness of the great craters—the lonely halls of flame, the home of Pele, the fire goddess.
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Will and the Deed (1915)

Then he sat up more attentively, as Lei-Aloha began to chant the legend of Puaanui, and of Pele's sledging.
“She believes it,” thought Chyne, amused; “all that mass of wonder tales—men transformed into lava pillars, and a furious goddess riding on waves of molten lava, like a surf rider on the sea; monster sharks and household deities, protecting gods who live in stones, and poison goddesses who live in trees.”
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Will and the Deed (1915)

Before him the peacock-colored waves lapped the black lava sands. The waves welled green into the cave mouth, and came crowding out, all white spray and spume. The mule grazed under the palms, and the jungle closed in lavish and reeking. The sun was well on its road to rest, the tide was low. Chyne sprang into the saddle and urged his beast forward along the sands. If the tide held right, he could make it across the shingle to the fishermen's cove at Hira. He rode like a madman.
Source: Wikisource

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