Summary

Portrait of Fletcher Pratt Fletcher Pratt The Onslaught from Rigel — Chapter I: Awakening (1932)

Ben Ruby, with whom he occupied the duplex apartment in the penthouse of the Arbuckle Building, was a scientist of sorts (mainly engaged in the analysis of “booze” samples for millionaires distrustful of their bootleggers, these days) —he would be able to explain everything.
He stepped across to the door and dropped the brass knocker, a little timorous at the sound of his own thudding steps. The door was snatched open with unexpected suddenness by a caricature of Ben in metal—as complete a machine as himself, but without most of the clothes.
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Portrait of Fletcher Pratt Fletcher Pratt The Onslaught from Rigel — Chapter I: Awakening (1932)

Dressing was a process prolonged by an examination of himself and the discovery that he was a most efficient metal machine. He rather admired the smoothness of the hip joints and the way the sliding parts of his arms fitted together, and was agreeably surprised to find that in the metallizing process his toes had become prehensile.
Source: Wikisource

Portrait of Fletcher Pratt Fletcher Pratt The Onslaught from Rigel — Chapter I: Awakening (1932)

It finished most of them.”
“Will you sit down and tell me consecutively what it's all about before I bash you?” asked Murray, petulantly. “Being turned into a machine is not the easiest thing in the world on one's temper; it upsets the disposition.”
“Some sort of a special extra radioactive gas storm connected with the comet, I think, though I can't be sure. It's made machines of all of us, now and forever more. We'll live on electric current after this and won't have to bother about little things like doctors if we can find a good mechanic. But it killed a lot of people.
Source: Wikisource

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