Flora Annie Steel

Flora Annie Steel

Summary

Portrait of Flora Annie Steel Flora Annie Steel At Her Beck and Call (1894)

The memory of Phooli-jân came back to me as she had sat in the sunshine nodding and beckoning.
"Phooli-jân?" echoed the old patriarch who came out to welcome me as I crossed the plank bridge to the village. "Phooli-jân, the herd-girl? Huzoor, she is dead; she died from picking flowers, A vain thing. It was at the turn beyond the murg, Huzoor, half-way between Chuchchu's hut and Goloo's drying stage. There is a big rhododendron tree hanging over the cliff, and she fell down. It must be three years gone."
Source: Wikisource

Portrait of Flora Annie Steel Flora Annie Steel At Her Beck and Call (1894)

I said, pointing to a patch of green sword-leaves, where the white and lilac blossoms were beginning to show.
She gave a perceptible shudder.
"What? Sit on a grave! Not I. Does not the Huzoor know that those are graves? It is true. All our people are buried here. We plant the iris over them always. If you ask why, I know not. It is the flower of death."
A sudden determination to paint her, the Flowerful Life against the Flowerful Death, completely obliterated the knowledge of my own incompetence; but I urged and bribed in vain. Phooli-jân would not stir.
Source: Wikisource

Portrait of Flora Annie Steel Flora Annie Steel At Her Beck and Call (1894)

There, on the opposite murg, where the buffaloes showed dark among the flowers was Chuchchu's hut. Undoubtedly, Chuchchu was the richer, but Goloo could climb like an ibex. It was he whom the Huzoor was going to take as a guide to the peak. He could dance, too. The Huzoor should see him dance the circle dance round the fire—no one turned so slowly as Goloo.
Source: Wikisource

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