Francis Henry Gribble, Radio Times — Negro Rhymes and Melodies
“ Their character changed as the Negro, becoming educated, became self-conscious. He is imitative and responsive to cultural influences. The influence of the hymns introduced by Methodist revivalists was succeeded by that of church music of a better character; while, at the same time, the old-fashioned Negro music was deliberately imitated by American composers trained in the European traditions. Present-day American Negro music is the resultant of these conflicting forces. ”
