Frank L. Packard

Frank L. Packard

Summary

Portrait of Frank L. Packard Frank L. Packard The White Moll (1920)

Gypsy Nan blew out the candle, and staggered to her feet.
"There isn't any other way." She leaned heavily on Rhoda Gray's arm. "Can't you see that? Don't you think I know? Haven't you seen enough here to convince you of that? I—I'm just spilling the dice for—for perhaps the last time—but it's the only chance—the only chance. Go on!" she urged tremulously. "Shoot the glim, and get me to the door. And—and, for the love of God, don't make a sound! It's all up if we're seen going out!"
The flashlight's ray danced in crazy gyrations as the two figures swayed and crept across the garret.
Source: Wikisource

Portrait of Frank L. Packard Frank L. Packard The White Moll (1920)

It was an hour, perhaps more, after Danglar had gone, before she had completed her task; and then, after that, she sat for still a long time staring, not at the paper on the chair before her, but at the flickering shadows thrown by the candle on the opposite wall.
Queer and strange were the undercurrents and the cross-sections of life that were to be found, amazingly contradictory, amazingly incomprehensible, once one scratched beneath the surface of the poverty and the squalor, and, yes, the crime, amongst the hiving thousands of New York's East Side!
Source: Wikisource

Portrait of Frank L. Packard Frank L. Packard The White Moll

XIV. THE LAME MAN
Another night—another day! And the night again had been without rest, lest Danglar's dreaded footstep come upon her unawares; and the day again had been one of restless, abortive activity, now prowling the streets as Gypsy Nan, now returning to the garret to fling herself upon the cot in the hope that in daylight, when she might risk it, sleep would come, but it had been without avail, for, in spite of physical weariness, it seemed to Rhoda Gray as though her tortured mind would never let her sleep again. Danglar's wife!
Source: Gutenberg

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