Rhoda Gray

Definition and stakes

Portrait of Frank L. Packard Frank L. Packard,  The White Moll (1920)

“ Rhoda Gray's eyes darkened, as she closed the door behind her, and stepped quickly forward to the bedside. For a moment she stood looking down at the recumbent figure; at the matted tangle of gray-streaked brown hair that straggled across a pillow which was none too clean; at the heavy-lensed, old-fashioned, steel-bowed spectacles, awry now, that were still grotesquely perched on the woman's nose; at the sallow face, streaked with grime and dirt, as though it had not been washed for months; at a hand, as ill-cared for, which lay exposed on the torn blanket that did duty for a counterpane ”
Source: Wikisource

Portrait of Frank L. Packard Frank L. Packard,  The White Moll (1920)

“ With a low, startled cry, Rhoda Gray was on her feet. Gypsy Nan was gone. A sweep of the woman's hand, and the spectacles were off, the gray-streaked hair a tangled wig upon the pillow—and Rhoda Gray found herself staring in a numbed sort of way at a dark-haired woman who could not have been more than thirty, but whose face, with its streaks of grime and dirt, looked grotesquely and incongruously old. ”
Source: Wikisource

Portrait of Frank L. Packard Frank L. Packard,  The White Moll

“ And Rhoda Gray, crouched there, stared—until suddenly she grew afraid, and suddenly with a shudder she wrapped the package up again. These were the stones for whose fabulous worth the woman whose personality she, Rhoda Gray, had usurped, had murdered a man; these were the stones which were indirectly the instrumentality—since but for them Gypsy Nan would never have existed—that made her, Rhoda Gray, to-night, now, at this very moment, a hunted thing, homeless, friendless, fighting for her very life against police and underworld alike! ”
Source: Gutenberg

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