Summary

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — III. THE WATCH (1914)

When the police were here I made them all listen, and I was not sure even when they had all listened and said there was no tick-tack. It is terrible to hear it in my ear any moment when I least expect it. Tick-tack! Tick-tack! It is the blood beating in my ear, for instance, hard, as if it struck on a sounding-board. Why, here are drops of perspiration on my hands! Listen!”
“Ah, this time someone is talking—is crying,” said the young man.
“Sh-h-h!” And Rouletabille felt the rigid hand of Matrena Pétrovna on his arm. “It is the general. The general is dreaming!”
Source: Wikisource

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — III. THE WATCH (1914)

Ah, good! it was Rouletabille. “Himself, dear madame; himself.”
“Why is Ermolai in the veranda? Send him back to the kitchens and tell the schwitzar to go to bed. The servants are enough for an ordinary guard outside. Then you go in at once, shut the door, and don’t concern yourself about me, dear madame. Good-night.”
Rouletabille had resumed, in the shadows, among the other porcelain figures, his pose of a porcelain man.
Matrena Pétrovna did as she was told, returned to the house, spoke to the schwitzar, who removed to the lodge with Ermolai, and their mistress closed the outside door.
Source: Wikisource

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — III. THE WATCH (1914)

He had the manner, out in the night, of an easy little man in porcelain, neither more nor less, yet he could see everything—if anything were there to see—and he could hear everything—if there were anything to hear. One passed beside him without suspecting him, and men might talk to each other without an idea that he heard them, and even talk to themselves according to the habit people have sometimes when they think themselves quite alone.
Source: Wikisource

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