George Borrow

George Borrow

Summary

Portrait of George Borrow George Borrow Lavengro — Chapter 66 (1851)

It has been said that love makes us blind to the faults of the loved object—common love does, perhaps—the love of a father to his child, or that of a lover to his mistress, but not the inordinate love of an author to his works, at least not the love which one like myself bears to his works: to be brief, I discovered a thousand faults in my work, which neither public nor critics discovered.
Source: Wikisource

Portrait of George Borrow George Borrow Lavengro — Chapter 66 (1851)

My life since the period of my becoming an author may be summed briefly as an almost uninterrupted series of doubts, anxieties, and trepidations. I see clearly that it is not good to love anything immoderately in this world, but it has been my misfortune to love immoderately everything on which I have set my heart. This is not good, I repeat—but where is the remedy? The ancients were always in the habit of saying, "Practise moderation," but the ancients appear to have considered only one portion of the subject.
Source: Wikisource

Portrait of George Borrow George Borrow Lavengro — Chapter 66 (1851)

I merely did these things to avoid the evil chance, impelled by the strange feeling within me; and this evil chance is invariably connected with my writings, the only things at present which render life valuable to me. If I touch various objects, and ride into miry places, it is to baffle any mischance befalling me as an author, to prevent my books getting into disrepute
Source: Wikisource

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