George Orwell

George Orwell

Summary

Portrait of George Orwell George Orwell The Road to Wigan Pier (1937)

Sometimes, when I listen to these people talking, and still more when I read their books, I get the impression that, to them, the whole Socialist movement is no more than a kind of exciting heresy-hunt – a leaping to and fro of frenzied witch-doctors to the beat of tom-toms and the tune of ‘Fee fi, fo, fum, I smell the blood of a right-wing deviationist!’ It is because of this kind of thing that it is so much easier to feel yourself a Socialist when you are among working-class people.
Source: Gutenberg

Portrait of George Orwell George Orwell The Road to Wigan Pier (1937)

You may hate the machine-civilisation, probably you are right to hate it, but for the present there can be no question of accepting or rejecting it. The machine-civilisation is here, and it can only be criticised from the inside, because all of us are inside it. It is only romantic fools who flatter themselves that they have escaped, like the literary gent in his Tudor cottage with bathroom h and c, and the he-man who goes off to live a ‘primitive’ life in the jungle with a Mannlicher rifle and four wagon-loads of tinned food.
Source: Gutenberg

Portrait of George Orwell George Orwell The Road to Wigan Pier (1937)

Meanwhile one can observe on every side that dreary phenomenon, the middle-class person who is an ardent Socialist at twenty-five and a sniffish Conservative at thirty-five. In a way his recoil is natural enough – at any rate, one can see how his thoughts run. Perhaps a classless society doesn’t mean a beatific state of affairs in which we shall all go on behaving exactly as before except that there will be no class-hatred and no snobbishness; perhaps it means a bleak world in which all our ideals, our codes, our tastes – our ‘ideology’, in fact – will have no meaning.
Source: Gutenberg

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