George Sylvester Viereck

George Sylvester Viereck

Summary

Portrait of George Sylvester Viereck George Sylvester Viereck The House of the Vampire — XVII (1907)

Once in a conversation with Reginald he touched upon the subject. Reginald held that modern taste no longer permitted even the photographer to portray life as it is, but insisted upon an individual visualisation. “No man,” he remarked, “was ever translated bodily into fiction. In contradiction to life, art is a process of artificial selection.”
Bearing in mind this motive, Ernest went to work to mould from the material in hand a new Ethel, more real than life.
Source: Wikisource

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