Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

The successful practice of sculpture and painting requires that the mind should be vigorous, free, and unencumbered, as it is at the age when the blood still dances; it demands that the spirit should act with an ardent will, yet restrained within just limits, and, above all, determined to remain unfettered by the pleasures of the world; he who cannot practise abstinence, or at least temperance, as regards those pleasures, let him not attempt the study of any art or science whatsoever, seeing that such delights can never be made to accord with the requirements of study.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

The example thus given by Lorenzo, was a truly magnificent one, and whenever it shall be followed by princes and other personages of importance, they cannot fail to do themselves great honour, and must derive perpetual glory from such imitation: seeing that he who aids and protects men of exalted genius in their noble labours, he who favours those from whom the world receives so much credit, utility, convenience, and beauty, well deserves that his fame should live eternally, and that the benefits which he has conferred should be held in perpetual remembrance.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

And therefore it is indeed that so few attain the summit of excellence, for many are the pains that he must endure, and heavy the burthens that he must bear, who would arrive at perfection in these our noble arts; wherefore the number of those who start with impetuous eagerness from the post, is much greater than that of those who, by sustained efforts in the race, have merited and obtained the prize.
In the Florentine sculptor, Torrigiano, there was more pride than true artistic excellence, although he was, without doubt, a very able artist.
Source: Wikisource

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