Guy Wetmore Carryl

Guy Wetmore Carryl

Summary

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Zut and Other Parisians — Zut (1903)

Espérance hastened to prepare a saucer of milk, and, when this was exhausted, added a generous portion of fish, and Zut then made a tour of the shop, rubbing herself against the chair-legs, and receiving the homage of customers and duck-clad assistants alike. Flique, his ruddy face screwed into a mere knot of features, as Hippolyte worked violet hair-tonic into his brittle locks, was moved to satire by the apparition.
“Tiens! It is with the cat as with the clients. All the world forsakes the Caille.”
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Zut and Other Parisians — Zut (1903)

The prosperity of Hippolyte’s establishment had grown apace, so that, on the morning in question, the three chairs were occupied, and yet other customers awaited their turn. The air was laden with violet and lilac. A stout chauffeur, in a leather suit, thickly coated with dust, was undergoing a shampoo at the hands of one of the duck-clad, and, under the skillfully plied razor of the other, the virgin down slid from the lips and chin of a slim and somewhat startled youth, while from a vaporizer Hippolyte played a fine spray of perfumed water upon the ruddy countenance of Abel Flique.
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl Zut and Other Parisians — Zut (1903)

It was an eloquent moment, eminently fitted for some dramatic incident, and that dramatic incident Zut supplied. She advanced slowly and with an air of conscious dignity from the corner where was her carpeted box, and in her mouth was a limp something, which, when deposited in the immediate centre of the Salon Malakoff, resolved itself into an angora kitten, as white as snow!
Source: Wikisource

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