Summary

Portrait of Harold Lamb Harold Lamb The Making of the Morning Star… (1924)

And four times a day there floated out over the humming confusion of alley and bazaar the musical call of the summoner-to-prayer.
Allah akbar! God is great. ... There is no God but God. ... Pray ye! Prayer is good, and the hour of prayer is at hand!”
The gigantic concourse, the uproar of voices, the smells—that rose even to the tower—wrought upon the senses of the watcher even as Osman's music and incense had failed to do and brought home to him the power of the stronghold of Islam.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Making of the Morning Star… (1924)

The knight, who had seen many men die, was sickened, and fought down rising nausea.
“Have we come to the prison, my son?” the gentle voice of Evagrius asked.
“Nay, we are within the streets of a great city.”
“The sound of it is evil,” nodded the priest. “And the smell is foul, both of dirt and incense. So must Babylon have been ere it was cast down.”
In spite of the fact that Osman seemed anxious to take dark and unfrequented ways to his destination, Robert was amazed by the size of the walled-in dwellings, the stone towers and marble pools that were glimpsed as they passed.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Making of the Morning Star… (1924)

But Osman had eyes only for the Nazarene maid, and Hassan, perceiving the mood of his master, sang of love and the beauties of women in a voice that was softer than a silver flute. A brazier, burning in the prow, cast a scent of aloes and musk incense into the air, and at command of the leader of the revels, different powders were put into the wine-cups by slaves—hashish, opium and bhang. Robert, feigning exhausted sleep, heard other references to the Manslayer, to Otrar and the treasure of Muhammad Shah, as the tongues of the drinkers were loosened.
Source: Wikisource

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