Henry William Harper

Summary

Henry William Harper Letters from New Zealand, 1857-1911… (1914)

A flight of marble steps leads up to the high altar in the apse, enriched with mosaics of the year 550 A.D. The loneliness of the vast church, its silent spaces, once thronged, now only occupied by a handful of people for an occasional service, and the presence of that long array of saints of old who keep vigil there, as they have done for centuries past, is the most impressive witness to the power of Christianity to survive all changes and chances of time, and outlive Thrones, Dominations, and Powers. There stands the Church, yet all traces of the mighty Roman Empire have vanished.
Source: Wikisource

Henry William Harper Letters from New Zealand, 1857-1911… (1914)

At a distance the dome is perfect and seems to dominate the whole landscape. Approaching the building its vast size is dwarfed by the ungainly proportions of the facade, with its columns one hundred feet in height. Inside, also, it takes time to realize its vast extent. The arches of the nave are so few in proportion to the length of the church, resting on such massive piers that one's eye is deceived, until you note in the distance the diminutive size of people walking about.
Source: Wikisource

Henry William Harper Letters from New Zealand, 1857-1911… (1914)

Inside there is a font of great size, in which all children born in Pisa are baptized. The dome produces a remarkable echo, which is set going by a man waiting his chance of a tip, who sings in sonorous tones the four notes of the common chord; his voice is followed by rolling waves of harmony, like the diapason of a great organ, rising and falling, until you can hardly believe it is only an echo. A small tip goes a long way in Italy, where money is scarce.
Source: Wikisource

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