Hope Mirrlees

Hope Mirrlees

Summary

Portrait of Hope Mirrlees Hope Mirrlees Lud-in-the-Mist (1926)

Don't let yourself be coddled, Master Ranulph. Young Hempen's nothing but an old maid in breeches. He's as bad as my Hazel. I've always said that if she doesn't die an old maid, it isn't that she wasn't born one!"
Hazel said nothing, but she fixed her eyes beseechingly on Luke.
But Ranulph, I fear, was a very spoiled little boy, and, into the bargain, he dearly loved annoying Luke; so he jumped up and down, shouting, "Old maid Hempen! Old maid Hempen! I'm going—so there!"
"That's right, little master!" laughed the widow. "You'll be a man before I am."
Source: Gutenberg

Portrait of Hope Mirrlees Hope Mirrlees Lud-in-the-Mist (1926)

A house with old furniture has no need of guests to be haunted. As we have seen, Master Nathaniel was very sensitive to the silent things—stars, houses, trees; and often in his pipe-room, after the candles had been lit, he would sit staring at the bookshelves, the chairs, his father's portrait—even at his red umbrella standing up in the corner, with as great a sense of awe as if he had been a star-gazer.
But that night, the brooding invisible presences of the carved panels, the storied tapestries, affected even the hard-headed Master Ambrose.
Source: Gutenberg

Portrait of Hope Mirrlees Hope Mirrlees Lud-in-the-Mist (1926)

He had suddenly remembered that it was something in the widow Gibberty's trial that was connected in his mind with Master Ambrose's joke about the dead bleeding. And he was re-reading that trial—this time with absorption.
As he read, the colours of his mental landscape were gradually modified, as the colours of a real landscape are modified according to the position of the sun. But if a white road cuts through the landscape it still gleams white—even when the moon has taken the place of the sun. And a straight road still gleamed white across the landscape of Master Nathaniel's mind.
Source: Gutenberg

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