“ She died when Hazel was nine, and it was a lovely memory of "mamma" that Hazel cherished: a vision of loveliness in trailing white silk, or velvet, or lace,--her mother always wore white, it was her Southern inheritance,--with a single dark-red rose among the folds of Venetian point of the bertha; always a gleam of white neck and arms banded with flashing, many-faceted diamonds, or roped with pearls; always a sense of delicious white warmth and fragrance, as the vision bent over her and pressed a light kiss upon her cheek. ”
Hazel
Definition and stakes
The literary concept of "Hazel" encompasses both a name and a symbolic motif, often linked to nature through its connection with trees such as the hazel nut. Authors like Mary Gladys Meredith Webb and Grace Livingston Hill portray Hazel as a complex character, merging charm with reflection, as seen in her captivating presence in Gone to Earth or her subdued reverence in The Man of the Desert.
Other works, such as Hazelhurst, delve into her emotional depth through gentle conversations and meaningful gestures, while A Daughter of the Rich presents her as a figure influenced by memory and family heritage. These depictions collectively highlight Hazel as a means of exploring themes of selfhood, yearning, and the relationship between the individual and the natural world.
Quotes about “Hazel”
“ Hazel, too, could not sleep at first. It was all so strange, and yet she was so happy. Her thoughts were in New York, and she was already planning for a visit from her father, when suddenly she remembered that she had left the little chatelaine watch he had given her on her last birthday, lying on the settle where May had been playing with it. She must wind it regularly, that was her father's stipulation when he gave it to her. She sprang out of bed, tiptoed to the door, listened; all was still, but not wholly dark. The embers beneath the ashes in the fireplace sent a dull glow into the room. ”
Mary Gladys Meredith Webb,
Gone to Earth
“ And always there would be Hazel, alluring him with an imperishable magic even stronger than beauty, startling him from his hard-won calm by the turn of a wrist, the curve of a waist-ribbon, a wave of her hair. ”
