Mary Gladys Meredith Webb

Mary Gladys Meredith Webb

Summary

Portrait of Mary Gladys Meredith Webb Mary Gladys Meredith Webb Gone to Earth

The lamps dimmed in the moonlight and the world seemed to widen infinitely, like life at the coming of love. The country lay below like a vast white mere, and the hill sloped vaguely to a silver sky. Vessons walked up the batch to ease the cob, and Edward looked down at Hazel and murmured:
'My little child!'
'Dunna talk,' said Hazel quickly; 'it's bad for 'ee!' She was afraid to break the magical silence, afraid that the new peace that came with Marston's presence would vanish like the moon in driving cloud, and that she would feel the dragging chain that pulled her back to Reddin.
Source: Gutenberg

Portrait of Mary Gladys Meredith Webb Mary Gladys Meredith Webb Gone to Earth

The pine-tops bowed in as stately a manner as they had when Hazel cried, 'I'll never be a woman!' They listened like grown-ups to the prattle of a child. And the stars, like gods in silver armour sitting afar in halls of black marble, seemed to hear and disdain the little gnat-like voice, as they heard Vessons' defiant 'Never will I!' and Mrs. Marston's woolly prayers, and Reddin's hoof-beats. All man's desires—predatory, fugitive, or merely negative—wander away into those dark halls, and are heard no more.
Source: Gutenberg

Portrait of Mary Gladys Meredith Webb Mary Gladys Meredith Webb Gone to Earth

Death is a dark dream, but it is not a nightmare. It is mankind's lack of pity, mankind's fatal propensity for torture, that is the nightmare. When a man or woman, confronted by helpless terror, is without the impulse to save, the world becomes hell. It was this, dimly but passionately felt, that made Hazel shrink from Reddin. For unless Reddin was without this impulse to save, and had the mind of a fiend without pity, how could he in the mere pursuit of pleasure inflict wholly unnecessary torture, as in fox-hunting?
Source: Gutenberg

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