Hugh Walpole

Hugh Walpole

Summary

Portrait of Hugh Walpole Hugh Walpole,  Chinese Horses (1923)

“ The end of this was that Miss Maxwell took two little rooms just round the corner—poky little rooms with a slatternly landlady, but from their windows you had a view of the house, could look right into the garden, and even, if you hung out far enough, could see into the library.
WE ALL know what obsessions can be, and there is nothing stranger in life than the very little distance that is needed to lend enchantment. Miss Maxwell had always adored her house, but seen as it was now, in fragments, with a colored lawn, a brick wall, and several trees defending it, it was magical.
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Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole,  Chinese Horses (1923)

“ She had been for many years quite alone in the world, an only child whose parents had been killed in a carriage accident when she was ten years of age. Then she had acquired an almost masculine independence and self-reliance. Until lately, things had gone well with her. Without being rich, she had had, until that fatal August of 1914, quite enough to live upon. She had taken a house in St. John’s Wood, not far from Lords, with an adorable garden, paneled dining-room, and a long music room at the back. She had soon loved this house so much, so deeply, that she had bought it. ”
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole,  Chinese Horses (1923)

“ No middle-aged spinster with no future would surrender a comfortable, safe and assured life for such a reason. It was not fantastic to Miss Maxwell. The beauty of that house was the test for her of all the beauty in the world, the only test, and it had to be kept pure and immaculate, and if it were not so, the color of the world would change. Nothing would ever be quite immaculate again. ”
Source: Wikisource

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