Summary

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — XII. A Fine Day (1923)

With very bad grace Raseley pushed the smaller half of the sausage across, and Jeremy felt that his day was well begun.
He did not know why, but he was sure that this would be a splendid day. There are days when you feel that you are under a special care of the gods and that they are arranging everything for you, background, incident, crisis, and sleep at the end in a most delightful, generous fashion. Nothing would go wrong to-day.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — XII. A Fine Day (1923)

Uncle Samuel managed in some way to make you see things. The studio, the sky with the little moon, the red apples, Hamlet flat on the floor, his head rigid, his eyes fixed; Aunt Amy shopping in Drymouth, Barbara tumbling downstairs. That whole world came towards him and filled the playground and blotted out the school, so that for a moment school life was unreal, shadowy, and did not matter. He sighed with happy contentment. Young though he was, he realised that great truth that one person in the world is quite enough.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — XII. A Fine Day (1923)

To be attacked before you have found your atmosphere, realised the conditions of the day, got your feel of yourself as part of the picture, gained your first win, to have to fight for your team’s life with your own goal looming like the gallows just behind you, and to know that the loss of three or five points in the first few minutes of the game is very often a decisive factor in the issue of the battle—all this tests anybody’s greatness. Jeremy in that first five minutes was anything but great.
Source: Wikisource

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