Summary

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — I. “Come out of the Kitchen” (1923)

He had always hated Mary. Are dogs, in their preferences and avoidances, guided at all by physical beauty or ugliness? Was Helen of Troy adored by the dogs of that town and did Sappho command the worship of the hounds of Greece? We are told nothing of it and, on the other hand, we know that Lancelot Gobbo had a devoted dog and that Charon, who cannot have been a handsome fellow, was most faithfully dog-attended. I do not think that Hamlet minded poor Mary’s plainness, her large spectacles, her sallow complexion, colourless hair and bony body.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — I. “Come out of the Kitchen” (1923)

When we sell our souls we are ourselves, of course, in the main responsible. But others have often had more to do with our catastrophe than the world in general can know. Had Jeremy, his master, not gone to school, Hamlet’s soul would yet have been his own; Jeremy gone, Hamlet’s spiritual life was nobody’s concern. He fell down, deep down, into the very heart of the basement, and nobody minded.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — I. “Come out of the Kitchen” (1923)

The basement of the Coles’ house in Polchester was as bad as any other, but this little window between the kitchen and the pantry was higher in the wall than the other basement windows, almost on a level with the iron railings beyond it, and offering a view down over Orange Street and, obliquely, sharp to the right and past the Polchester High School, a glimpse of the Cathedral Towers themselves.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature