Summary

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — III. The Dance (1923)

The silence of the high road, rhythmed by the clamp-clamp of the horse’s hoofs, the mysterious gleam of white patches as the road was illumined by the light from the carriage lamps, the heavy thick-set hedges, watching as though they were an army of soldiers drawn up in solemn order to let the carriage pass through, the smell of the night mingled with the smell of the cab, the rattle of the ill-fitting windows, the excited, half-strangled breathing of Mary—all these together produced in Jeremy’s breast a feeling of exaltation, pride and adventure that was never to be forgotten.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — III. The Dance (1923)

To the Cole children an evening dance—a dance out of Polchester with a drive at both ends of it—was wonder beyond wonder. Life was instantly at the merest murmur of its name transformed into something exquisite, rainbow-coloured, fantastical.
Helen’s transports were all selfish. She was not a bad girl did you grant her her devastating egotism; she cared for her family, she was neither vindictive nor mean, not too greedy, and not too vain
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — III. The Dance (1923)

Helen looked lovely with her black hair, big black eyes and thick eyelashes, her slender white neck, tall slim body and lovely ankles. She was one upon whom fine clothes settled with a sigh of satisfaction, as though they knew that they were in luck. With Mary it was precisely the opposite; the plainer you dressed her the better. Fine clothes only accentuated her poor complexion, dusty hair and ill-shaped body. Yes, Helen looked lovely. Even Jeremy would have noticed it had he not been absorbed by his own clothing. For the first time in his life he was wearing a white waistcoat
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature