Summary

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book II, Chapter III (1881)

My poor Adrian: you are in love without knowing it. Ah! I envy Mrs Hoskyn."
"If you really mean that," he said eagerly, "I will forgive you all the rest."
"I envy her the power to be in love," rejoined Aurélie, sitting down again, and speaking meditatively. "I cannot love. I can feel it in the music— in the romance—in the poetry; but in real life—it is impossible. I am fond of mamman, fond of the bambino, fond of you sometimes; but this is not love—not such love as you used to feel for me—as she feels now for you. I see people and things too clearly to love.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book II, Chapter III (1881)

Believe me, Mary, out in the middle the stream of life, from the turbulences and vulgarities of which we agreed to hold aloof, there may be many different sorts of men—earnest men, frivolous men, faithful men, cynical men and so forth; for the backwater there are only two sorts of painters, dexterous ones and maladroit ones. I am not a dexterous one; and that is all about it: self-criticism on moral principles, and the culture of the backwater library, won't mend my eyes and fingers. I said that Aurélie's was a case in point. Even the Times does not deny that she is a perfect artist.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book II, Chapter III (1881)

But look you, Adrian, if you abandon your home only to draw that woman away from hers, it will be an infamy— one that will estrange me from you forever. Do not hope, when you tire of her—for one tires of all pronounced people, and she, in face and character, is very pronounced—do not hope to console yourself with me. You may be weak and foolish if you will; but when you cease to be a man of honor, you are no longer my Adrian.
Source: Wikisource

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