Hugh Walpole

Hugh Walpole

Summary

Portrait of Hugh Walpole Hugh Walpole,  Jeremy and the Ruffians (1922)

“ Jeremy said nothing; these were, of course, his friends of the morning. He could see now, straight across the breakfast-table, those eight burning, staring eyes.
Later, from the slope of the green hill above the rectory, he looked across the gleaming beach at the church, the road, and then, in the distance, the forbidden farm. Strange how the forbidding of anything made one from the very bottom of one's soul long for it! Yesterday, staring across the green slopes and hollows, the farm would have been but a gray patch sewn into the purple hill that hung behind it.
”
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole,  Jeremy and the Ruffians (1922)

“ Then suddenly once more the scene cleared, and the boy saw a figure run from the house, crying something, his hand raised. Some one caught the figure and stayed it: for a second of time Jeremy saw Humphrey's face, flaming with anger. Then the crowd closed round.
At the same instant the black man seemed to be whirled toward them, there was a crushing, a screaming, a boot seemed to rise from the ground of its own volition and kick Jeremy violently in the face, and he fell down, down, down into a bottomless sea of black pitch.
”
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole,  Jeremy and the Ruffians (1922)

“ Here, in the miles of gorse and shrub and pond and heather, they were safe from the world, their companions birds and rabbits. Humphrey knew more about animals than any one else in England. He said so himself, so it must be true. The weather was glorious, hot, and gorse-scented. They bathed in the pools and ran about naked, Humphrey doing exercises, standing on his head, turning somersaults, lifting Jeremy with his hands as though he weighed nothing at all. Humphrey's body was brown all over, like an animal's. Humphrey talked, and Jeremy listened. ”
Source: Wikisource

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