Summary

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — VI. The Night Raiders (1923)

Hamlet! What would happen if he suddenly awoke, discovered his master’s absence, and began to bark? Or suppose that he awoke when Jeremy was leaving his room, and determined to follow him? Jeremy, at these thoughts, felt his spirits sink even lower than they had been before. How could he in this thing escape disaster? He was like a man doomed. He hated the Dean’s Ernest at that moment with a passion that had very little of the child in it.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — VI. The Night Raiders (1923)

Hamlet was still snoring peacefully. He crept out, then remembered that to do this properly one must take off one’s boots and carry them in one’s hand. Too late now for that. Downstairs he went; at every creak he paused; the house was like a closed box around him. From some room far away came loud, impatient snores. Once he stumbled and nearly fell; he stayed there, his hands on the banisters, a dead man save for the beating of his heart.
His hand was on the pantry window, he had pushed back the catch, climbed through, and in another moment was in the garden.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole Jeremy and Hamlet — VI. The Night Raiders (1923)

The Dean’s children were too young to do much, and the girls’ governess too deeply agitated by her fancy that children’s parents were staring at her arrogantly to pull herself together and be amiable. It was during one of those catch-as-catch-can intervals, when children were desultorily wandering, boys sticking pins into stout feminine calves, girls sniggering in secret conclave together, infants howling to be taken home, that Jeremy overheard Bill Bartlett say to the Dean’s Ernest: “I dare you!”
Source: Wikisource

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