Hugh Walpole

Hugh Walpole

Summary

Portrait of Hugh Walpole Hugh Walpole The Twisted Inn (1915)

It was dark and stormy and the wind whistled outside the carriage—the scudding clouds seemed to catch the top of the trees and drag them in their own hurrying direction—but the riots clung to the gray earth and the furious heavens tossed the trees back again to their original abiding-place.
Mr. Bannister’s coat was thin and he shivered in his corner—it was too dark to see, and the train shook so that it was impossible to write; he flung his note-book down and stared moodily out of the window. He was very hungry and was inclined to regard the world as an evil place
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Twisted Inn (1915)

The train rushed furiously forward, and the landscape grew darker and darker. "There must be a terrible storm coming,” thought Mr. Bannister—he watched the ebony blackness of the sky, the dark wavering outlines of fantastic trees, the sudden whites and grays of spaces of cloud and the dear shining of sudden pools.
Within the carriage there was silence, and obscurity gathered in the corners and hid the colored views mercifully in its arms; the outline of the enormous woman was black against the window and the curve of her great basket stood out hooplike in front of her.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Twisted Inn (1915)

On the walls there was nothing to hide the faded green of the wallpaper with the single exception of a large photograph hanging by the door. Onto this the quivering light of a cracked lamp shining from the window sill flung an uncertain light. Mr. Bannister started at it with horror. It was the photograph of the large-bosomed woman in the train. She glared down at him as she had stared before into space—cold, menacing, horrible.
Then he found at his side a little man whom he knew to be the innkeeper—a man round as a ball, with a chubby face and bright brown buttons on his waist coat.
Source: Wikisource

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