A corner denotes a physical or metaphorical intersection, often symbolizing liminality, convergence, or seclusion. In literature, it appears as both a spatial reality and a narrative tool. Walter Besant evokes a neglected garden corner, overgrown and wild, while Joseph Strutt describes a playful game centered on corners as positions to be claimed.
Nalbro Bartley frames corners as socially significant locales, attracting attention, and Henry James suggests they can become sites of absorption or transformation. Lewis Carroll even calculates a corner’s role in a puzzle, reducing it to a quantifiable unit. These varied portrayals reveal the corner as a multifaceted space—both a literal boundary and a metaphor for human interaction, observation, and the interplay of light and shadow.