Isabella Lucy Bird Bishop

Summary

Isabella Lucy Bird Bishop The Golden Chersonese and the Way Thither… (1883)

It is everywhere draped with ferns, which do not help to keep it in repair. The "Five-storied Pagoda" which flames in red at one of its angles, is a striking feature in the view. As we sat on stone seats by stone tables in what might be called its shadow, under the cloudless heaven, with the pure Orientalism of the Tartar city spread out at our feet, that unimaginable Orientalism which takes one captive at once, and, like the first sight of a palm or a banana, satisfies a longing of which one had not previously been conscious, a mundane disappointment was severely felt.
Source: Wikisource

Isabella Lucy Bird Bishop The Golden Chersonese and the Way Thither… (1883)

More men in red, and then the crowd closes up again, to be again divided by a plebeian chair like mine, or by pariahs running with a coffin fifteen feet long, shaped like the trunk of a tree, or by coolies carrying burdens slung on bamboo poles, uttering deafening cries, or by a marriage procession with songs and music, or by a funeral procession with weeping and wailing, succeeding each other incessantly.
Source: Wikisource

Isabella Lucy Bird Bishop The Golden Chersonese and the Way Thither… (1883)

The bamboo roofs slide in a sort of telescope fashion, and the whole interior space can be inclosed and divided. The bow of the boat, whether large or small, is always the family joss house; and the water is starred at night with the dull, melancholy glimmer, fainter, though redder than a glow-worm's light, of thousands of burning joss-sticks, making the air heavy with the odor of incense. Unlike the houses of the poor on shore, the house boats are models of cleanliness, and space is utilized and economized by adaptations more ingenious than those of a tiny yacht.
Source: Wikisource

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