Isabella Lucy Bird Bishop

Summary

Isabella Lucy Bird Bishop Unbeaten Tracks in Japan — LETTER XL-I (1880)

Wooded, rocky knolls, with Aino huts, the vermilion peaks of the volcano of Usu-taki redder than ever in the sinking sun, a few Ainos mending their nets, a few more spreading edible seaweed out to dry, a single canoe breaking the golden mirror of the cove by its noiseless motion, a few Aino loungers, with their "mild-eyed, melancholy" faces and quiet ways suiting the quiet evening scene, the unearthly sweetness of a temple bell—this was all, and yet it was the loveliest picture I have seen in Japan.
Source: Wikisource

Isabella Lucy Bird Bishop Unbeaten Tracks in Japan — LETTER XL-I (1880)

LEBUNGE, VOLCANO BAY, YEZO, September 6.
"Weary wave and dying blast Sob and moan along the shore, All is peace at last." And more than peace. It was a heavenly morning. The deep blue sky was perfectly unclouded, a blue sea with diamond flash and a "many- twinkling smile" rippled gently on the golden sands of the lovely little bay, and opposite, forty miles away, the pink summit of the volcano of Komono-taki, forming the south-western point of Volcano Bay, rose into a softening veil of tender blue haze.
Source: Wikisource

Isabella Lucy Bird Bishop Unbeaten Tracks in Japan — LETTER XL-I (1880)

The loneliness of Usu Bay is something wonderful—a house full of empty rooms falling to decay, with only two men in it—one Japanese house among 500 savages, yet it was the only one in which I have slept in which they bolted neither the amado nor the gate. During the night the amado fell out of the worn-out grooves with a crash, knocking down the shoji, which fell on me, and rousing Ito, who rushed into my room half-asleep, with a vague vision of blood- thirsty Ainos in his mind.
Source: Wikisource

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