Summary

Portrait of Ivan Turgenev Ivan Turgenev,  Fathers and Sons — Chapter 16

“ Bazarov said all this with an air as though he were all the while thinking to himself. "Believe me or not as you wish, it's all the same to me!" He slowly passed his long fingers over his whiskers and his eyes strayed round the room.
"And you suppose," said Anna Sergeyevna, "that when society is reformed there will be no longer any stupid or wicked people?"
"At any rate, in a properly organized society it will make no difference whether a man is stupid or clever, bad or good."
"Yes, I understand. They will all have the same spleen."
"Exactly, madam."
Madame Odintsov turned to Arkady.
”
Source: Wikisource

Portrait of Ivan Turgenev Ivan Turgenev,  Fathers and Sons — Chapter 16

“ Katya went unwillingly to the piano, and Arkady, although he was genuinely fond of music, unwillingly followed her; it seemed to him that Madame Odintsov was getting rid of him, and he felt already like most young men of his age, a vague and oppressive excitement, like a foretaste of love. Katya lifted the lid of the piano, and without looking at Arkady, asked in an undertone "What am I to play to you?"
"What you like," answered Arkady indifferently.
"What sort of music do you prefer?" went on Katya, without changing her attitude.
”
Source: Wikisource

Portrait of Ivan Turgenev Ivan Turgenev,  Fathers and Sons — Chapter 16

“ Arkady was especially struck by the last part of the sonata, the part where the enchanting gaiety of the careless melody at its height is suddenly broken into by the pangs of such a sad and almost tragic suffering . . . but the ideas inspired in him by the sounds of Mozart were not related to Katya. Looking at her, he merely thought, "Well, that young lady doesn't play too badly, and she's not bad looking, either." ”
Source: Wikisource

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