James George Joseph Penderel-Brodhurst

“ Since the revival of interest in his work he has often been criticized with considerable asperity, but not always justly. Chippendale’s work has stood the supreme test of posterity more completely than that of any of his rivals or successors; and, unlike many men of genius, we know him to have been warmly appreciated in his lifetime. He was at once an artist and a prosperous man of business. His claims to distinction are summed up in the fact that his name has by general consent been attached to the most splendid period of English furniture. ”

“ It has always been exceedingly difficult to distinguish the work executed in Chippendale’s factory and under his own eye from that of the many copyists and adapters who throughout the second half of the 18th century—the golden age of English furniture—plundered remorselessly. ”

“ Nor would it be fair to the man who, whatever his occasional extravagances and absurdities, was yet a great designer and a great transmuter, to pretend that all his Chinese designs were contemptible. Many of them, with their geometrical lattice-work and carved tracery, are distinctly elegant and effective. Occasionally we find in one piece of furniture a combination of the three styles which Chippendale most affected at different periods—Louis XV., Chinese and Gothic—and it cannot honestly be said that the result is as incongruous as might have been expected. ”