Jeffery Farnol

Jeffery Farnol

Summary

Portrait of Jeffery Farnol Jeffery Farnol The Money Moon — Chapter 14 (1912)

Sir, my comrade Peterday is a very remarkable man,—most cobblers are. When he’s not cobbling, he’s reading,—when not reading, he’s cobbling, or mending clocks, and watches, and, betwixt this and that, my comrade has picked up a power of information,—though he lost his leg a doing of it—in a gale of wind—off the Cape of Good Hope, for my comrade was a sailor, sir. Consequently he is a handy man, most sailors are and makes his own wooden legs, sir, he is also a musician—the tin whistle, sir,—and here we are!
Source: Wikisource

Portrait of Jeffery Farnol Jeffery Farnol The Money Moon — Chapter 14 (1912)

Why, no right, sir,—none in the world. Poverty, and one arm, are facts as make it impossible for that man to—ever speak his mind. And, sir—that man—never will. Sir,—good night to you!—and a pleasant walk!—I turn back here.”
Which the Sergeant did, then and there, wheeling sharp right about face; yet, as Bellew watched him go, he noticed that the soldier’s step was heavy, and slow, and it seemed that, for once, the Sergeant had even forgotten to put on his imaginary spurs.
Source: Wikisource

Portrait of Jeffery Farnol Jeffery Farnol The Money Moon — Chapter 14 (1912)

Thus, George Bellew, American citizen, and millionaire, piped away on a tin whistle with all the gusto in the world,—introducing little trills, and flourishes, here and there, that fairly won the one-legged sailor’s heart.
They had already “given ’em” three or four selections, each of which had been vociferously encored by Peterday, or Bellew,—and had just finished an impassioned rendering of the “Suwanee River,” when the Sergeant appeared with his boots beneath his arm.
“Shipmate!” cried Peterday, flourishing his whistle, “did ye ever hear a tin whistle better played, or mellerer in tone*?”
Source: Wikisource

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