Summary

Portrait of Jesse Waugh Jesse Waugh Pulchrism: Championing Beauty as the Purpose of Art… (2015)

Are 'beauty' and 'the beautiful' the same thing? Or are we dealing with something which is literally in the eyes of a billion beholders, eliciting a billion reactions and consequently a billion unique definitions?
Does it matter? Is preoccupation with beauty a distraction from other considerations, such as functionality, utility or practicality? Is beauty merely one of life’s luxuries, or is it directly related – in both positive and negative ways – to health, happiness, well-being, sense of self and other essentials for survival?
Source: Wikisource

Portrait of Jesse Waugh Jesse Waugh Pulchrism: Championing Beauty as the Purpose of Art… (2015)

It is entertaining reading the description of this conference, as it seems to go out of its way to include ugliness and death as being part of beauty, but these glaring attempts at asserting relativist subjectivity only succeed at emphasizing the awkwardness of shoving the polar opposites of beauty and ugliness together into an uncomfortable, repulsive, falsely-fused dichotomy, which causes cognitive dissonance in any healthy mind. Witness the following:
We see beauty; we experience beauty; we think beautiful words, beautiful thoughts.
Source: Wikisource

Portrait of Jesse Waugh Jesse Waugh Pulchrism: Championing Beauty as the Purpose of Art… (2015)

That irony so widely celebrated in the Anglosphere as being the antidote to Old World hyper-ornamentation with its hokey and sentimental decorative excess, has itself become backwards, retrograde, passé, hokey, suburban, common, provincial, philistine – it's even become a nostalgic, sentimental reaction to the uncertainty of the New Age which is dawning and threatens to sweep away many 20th century fixtures such as Modernism, Conceptualism, etc. The irony game is over but its dogmatists are clinging onto it for dear life.
Beauty is not ugly.
Source: Wikisource

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