Summary

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory — X. Trapping a Quail (1901)

On pleasant evenings Pats and Elinor often went to the beach below and sat upon the rocks, always attended by Solomon, the only chaperon at hand. Here they were nearer the water. And one evening they found much happiness in watching a big, round moon as it rose from the surface of the Gulf. The silence, the shimmer of the moonlight on the waters–all tended to draw lovers closer together.
Source: Wikisource

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory — X. Trapping a Quail (1901)

All days were good, whatever the weather. Time never dragged. With a companion of another temperament Elinor could easily have passed moments of depression. For a girl in her position there certainly was abundant material for regret. But the courage and the unwavering cheerfulness of Pats were contagious. He and melancholy were never partners. A discovery, however, was made one morning on the little beach that, for a moment at least, filled Elinor with misgivings.
Midway along this beach they found a bucket, rolling about on the sand, driven here and there by the incoming waves.
Source: Wikisource

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory — X. Trapping a Quail (1901)

X TRAPPING A QUAIL Happy were the days that followed. Pats, uplifted with his own joy, became a lavish dispenser of cheerfulness and folly. Elinor, with unclouded eyes and a warmer color in her cheeks, seemed to have drifted into the Harbor of Serenity. Both were at peace with creation.
In pleasant weather they strolled among the pines, worked in the little garden behind the house, fished, played upon the beach, or explored the neighborhood.
Source: Wikisource

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