Summary

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory — VII. The Clouds Gather (1901)

As he stood for a moment before the embers in the big open fireplace at the end of the cottage, his eyes rested upon a chest near by, with a rug and a cushion on the top, evidently used as a lounge by the owner. After hesitating a moment, he asked:
“Would you object to my occupying the top of that chest, just for to-night?”
As she turned toward him he detected a straightening of the figure and the now familiar loftiness of manner which he knew to be unfailing signs of anger–or contempt. Possibly both.
“Certainly not. If you have a cold, it is better you should remain near the fire.
Source: Wikisource

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory — VII. The Clouds Gather (1901)

And she turned toward the chamber to make arrangements for departure. But Pats stepped forward and said, decisively, and in a tone that surprised her:
“You stay here. I go to the other house myself.”
He took his hat, and with Solomon at his heels strode rapidly to the door. There he stopped, and with his hand on the latch said, more gently, in his usual manner:
“Wouldn’t you like Solomon to stay here with you? He is lots of company, and a protector.”
She made no reply, but looked with glacial indifference from the man to his dog.
Source: Wikisource

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory — VII. The Clouds Gather (1901)

While she was hesitating, Pats drew aside the tapestry and passed with the candelabrum into the chamber. He made a careful survey of the territory beneath the bed and reported it free of robbers. Solomon, also, was investigating; and Pats, who was doing this solely for Elinor’s peace of mind, knew well that if a human being were anywhere about the dog would long ago have announced him. But they made a tour of the room, looking behind and under the larger objects, lifting the lids of the marriage chests and opening the doors of the cupboard.
Source: Wikisource

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