Summary

Portrait of John Masefield John Masefield Jim Davis — Chapter IV: The Hut in the Gorse-Bushes (1911)

I answered; "but they go, they get taken. People come at night and carry them to the towns, little by little, and from the market towns, they get to the cities, no one knows how. I dare say this hut has been full of things—valuable lace and silk, and all sorts of wines and spirits—waiting for some one to carry them into the moor."
"Hush!" said Hugh; "there's some one calling—it's Mother."
Outside the gorse-clump, at some little distance from us, we heard Mrs Cottier and my aunt calling "Hugh!" and "Jim!" repeatedly.
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Portrait of John Masefield John Masefield Jim Davis — Chapter IV: The Hut in the Gorse-Bushes (1911)

They rose up, thick and dark, right in front of us. Our guide stopped and told us to look down. Among the gnarled gorse-stems there seemed to be a passage or "run" made by some beast, fox or badger, going to and from his lair.
"Down you go," said our guide. "There's lots of room when you try. Imagine you're a rabbit."
We saw that it was useless to say No; and, besides, by this time we had lost most of our terror. I dropped on to my knees at once, and began to squirm through the passage. Hugh followed me, and the strange man followed after Hugh.
Source: Wikisource

Portrait of John Masefield John Masefield Jim Davis — Chapter IV: The Hut in the Gorse-Bushes (1911)

Now, how would you tie a knot if you was doing up a parcel?"
We both tried, and both made granny knots, with the ends sticking out at right angles to the rest of the yarn.
"Wrong," he said. "Those are grannies. They would jam so that you'd never untie 'em, besides being ugly. There's wrong ways even in doing up a string. See here." He rapidly twisted the ends together into a reef-knot. "There's strength and beauty together," he said.
Source: Wikisource

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